State of the Art Maternity Rooms and Postpartum Rooms
Country of the art
Exploring Roppongi and Tennozu, 2 of Tokyo'due south artsiest neighbourhoods
Nosotros know information technology's hard to believe, just Roppongi, Tokyo'southward glitzy underbelly of pricey booze, sleazy clubs and bazaar shopping, lives a double life every bit the city's art hub. The majuscule's most famous amusement district, in one case known as 'Loftier Impact Town', prides itself on an impressive array of small galleries and big museums – the cultural legacy of gentrification efforts over the last decade.
Further southeast, Tennozu Island is no stranger to the fine art, or bamboozlement, of transformation from the bottom up either. In fact, the bogus isle was literally dredged up from the depths of Tokyo Bay during the 1920s and '30s. Recently, all-encompassing waterfront planning has seen the hitherto quiet warehouse district re-sally equally a be-muraled town dotted with canalside cafés, high-rise office buildings, hip hotels and fine art galleries.
Roppongi
This year, Roppongi's art cred was raised to new heights with the opening of the Complex665 edifice (half-dozen-v-24 Roppongi, Minato-ku), which houses a trifecta of influential galleries: Tomio Koyama, ShugoArts and Taka Ishii. The building sits on a residential dorsum street tucked away from the hustle and hurry of Roppongi, simply is hard to miss thanks to what appears to be a squiggle painted on its side. This symbol is the logo designed for Complex665 past artist Yoshihisa Tanaka, who imagined how a 'fictional artist named 665 might sign their ain work'.
A major player in Tokyo's contemporary fine art scene, Tomio Koyama Gallery moved into the 2d floor of the building from their previous location in Sendagaya, employing young architects Toru Murayama and Ayako Kato to pattern their new two-room exhibition infinite. They represent an impressive roster of artists in Nippon, including wunderkind photographer Ryan McGinley, American post-minimalist Richard Tuttle and Yoko Ono.
Likewise on the 2d floor is ShugoArts, who take championed the advanced of Japanese art since the mid-'80s. Their gallery was designed by architect Jun Aoki, also responsible for facelifting the façade of the Louis Vuitton building in Ginza. Unlike their flatmates, ShugoArts continue the shop open on Sundays.
Calling dibs on the top bunk are Taka Ishii Gallery, who correspond heavy-hitters like Elmgreen & Dragset, Nobuyoshi Araki, Daido Moriyama and Thomas Need. Article of furniture and interior design gurus Broadbean, whose offices occupy the ground floor, were enlisted to design the sleek gallery infinite on the third floor, which wonderfully feeds off natural light coming in from the constitute terrace.
If yous've enjoyed killing a whole flock of birds with i stone, then caput over to the Piramide Edifice (half-dozen-six-9 Roppongi, Minato-ku), which is another peachy case of the tried-and-tested 'power in numbers' model of fine art collectives. Leading galleries Ota Fine Arts and Wako Works of Art are among its famous tenants.
Ascent above the rest both in height and, arguably, in might, the 238-metre Roppongi Hills Mori Tower is home to the Mori Fine art Museum, which holds some of Tokyo'south most ambitious and influential exhibitions. A retrospective defended to the Indian artist N S Harsha will be unveiled in February 2017.
The abstraction of fashion (and fragrance) designer Issey Miyake and boyfriend design greats Taku Satoh and Naoto Fukasawa, 21_21 Design Sight more than underscores Roppongi's function as the focal bespeak of Tokyo'due south fine art scene. The mutual focus of their ever-irresolute lineup of exhibitions is interdisciplinary blueprint.
The National Art Center (NACT), designed by Kisho Kurokawa of Nakagin Sheathing Belfry fame, boasts the largest exhibition infinite of any museum in Japan. Unlike most of its counterparts, NACT is an 'empty museum', which ways information technology does non accept a permanent collection, instead choosing to committee one-off exhibitions – their Monet prove was the second most visited exhibition in the world in 2007.
Located in Tokyo Midtown and designed by renowned architect Kengo Kuma, the Suntory Museum of Art possesses the biggest collection of Japanese arts and crafts in the country, comprised of a whopping iii,000-plus objects. Their tea ceremonies, staged on the sixth floor every second Thursday, are a must do.
And for the 'Peanuts' fans out there, Roppongi has a Snoopy Museum, showcasing Charles M Schulz's original drawings and art for the beloved series. A number of the cartoonist's early works, vintage collectibles and other materials are also on brandish.
Tennozu Isle
Backed by the Terrada warehouse visitor, which does far more than just stock Tokyoites' leftover belongings, Tennozu's new Archi-Depot museum displays a whopping 116 architectural models by Japanese starchitects, including works by Kengo Kuma, Shigeru Ban and Riken Yamamoto. While the exhibition warehouse isn't exactly a sight to behold, the architectural models – depicting both existent buildings and unrealised projects – gleam similar miniature cabinets of curiosities. Later paying a visit to Archi-Depot, yous're sure to walk away with a renewed appreciation for Tokyo's cute buildings, oftentimes overlooked in the relentless hustle and bustle of our dear city.
Just a stone's throw away from Archi-Depot lies the striking art supplies 'laboratory' Pigment, designed past Kuma and inspired by the look and feel of bamboo. It stocks more than than four,500 colour pigments, l kinds of brute glues, and a number of superlative-quality traditional painting tools including over 200 antiquarian ink sticks. The staff are all well-versed in the intricacies of the products and are happy to show you how to apply them.
Taking a cue from their comrades over in Roppongi, four gimmicky art galleries recently decided to nestle confronting each other on the 3rd floor of the Terrada Art Complex. The quartet is comprised of Kodama Gallery, who are getting ready for a solo show by Japanese artist Gaëtan Kubo opening January 14; Urano, representing domestic talents such as Takahiro Iwasaki, who volition be flight the flag for Nippon at the 2017 Venice Biennale; Yamamoto Gendai, who count the legendary luminary Richard Serra among their artists; and Yuka Tsuruno Gallery, known for their collaborations with renowned artists Candida Höfer and José Parlá. Lest you forget your surrounds, the galleries are located inside a fully operating warehouse and are simply accessible by a service elevator.
As the former and current residents of neighbourhoods like London'due south Shoreditch and New York'southward Brooklyn will tell you, gentrification is a double-edged sword that tears through the onetime to make way for the new. Whichever side of the third wave café/local caff divide y'all're on, the number and density of art galleries is oftentimes a adept litmus test for how far a neighbourhood has come downwards the line. Less than half an hour apart, Roppongi and Tennozu Isle offer two different cases to written report for those interested in the sociocultural effects of Tokyo's urban planning. Or you could only look at the art.
Terrada'due south main warehouse (ii-6-x Higashi-Shinagawa, Shinagawa-ku) is belongings an exhibition on David Bowie from Jan viii to April 9 – be sure to go your tickets in advance.
Find more galleries in Roppongi
Source: https://www.timeout.com/tokyo/art/state-of-the-art
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